By Jeanette Bicknell
In Philosophy of music and making a song: An Introduction, Jeanette Bicknell explores key aesthetic, moral, and different philosophical questions that experience now not but been completely researched through philosophers, musicologists, or scientists. concerns addressed include:
- The courting among the which means of a song’s phrases and its music
- The performer’s position and the resultant gender problems, social ontology, and private identity
- The performer’s moral tasks to audiences, composers, lyricists, and people for whom the fabric holds specific significance
- The metaphysical prestige of remoted solo performances in comparison to the continual making a song of opera or the interrupted making a song of level and monitor musicals
Each bankruptcy makes a speciality of one significant musical instance and comprises numerous shorter discussions of different choices. All were selected for his or her illustrative energy and their accessibility for any reader and are simply available.
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Extra info for A Philosophy of Song and Singing: An Introduction
A Philosophy of Song and Singing: An Introduction by Jeanette Bicknell